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A glowing golden Broadway theater marquee arch studded with warm bulb lights, red velvet stage curtains swept open, and a single golden spotlight beam falling onto an empty wooden stage.
Entertainment

Chrissy Metz Finally Gets Her Broadway Bow, and She's Not Holding Back

Six seasons of making America cry as Kate Pearson didn't come with a marquee. "& Juliet" just gave her one — and Chrissy Metz is loving every minute of it.

The Culture Desk

Chrissy Metz spent six seasons on "This Is Us" making the entire country ugly-cry into a box of tissues. As of June 18, she's doing something almost stranger for her résumé: making Broadway audiences dance in their seats. Metz officially stepped into the jukebox musical "& Juliet" at the Stephen Sondheim Theatre as Angelique, a role she'll hold through September 13 — her first time on a Broadway stage.

A bucket-list item, not a pivot

A grand theatre marquee lit up at night on a city street, its vertical sign spelling CHICAGO in white bulbs above a curved marquee edged in rows of glowing lights.
Photo by Mik Dominguez on Pexels

Metz has been open that this isn't a random detour — it's the thing she wanted before any of it. "It's a bucket list dream," she told press ahead of her debut. "I've always wanted to do Broadway." By her own account, she's also not walking in as a curious outsider: she saw "& Juliet" ten times as a paying audience member before ever auditioning, which tracks less like a career move and more like an actual fan getting the call.

I think people are going to see another side of me that they haven't seen.
Chrissy Metz
The facade of a theatre at night, its red neon signage and illuminated windmill glowing above the silhouetted heads of a crowd waiting outside.
Photo by Alexander Korte on Pexels

That's the real hook here. "This Is Us" built Metz's public image almost entirely around wrenching, dramatic vulnerability — Kate Pearson's grief, her weight-loss surgery storyline, her voice breaking on cue. "& Juliet" is Max Martin pop songs, a jukebox-musical remix of "Romeo and Juliet" where Juliet doesn't die for love, and a cast built to make an audience grin, not sob. Metz described the difference in the room itself: "Everybody's been so supportive and encouraging and it feels very communal in the art making."

A closed red velvet stage curtain filling the frame, lit warmly so its heavy vertical folds catch the light.
Photo by Stephen Leonardi on Pexels

She's also talked about what lands with the crowd night to night — not a tearjerker moment, but pure, unguarded delight. "To see the joy — whether it's a dad crying at 'Shape of My Heart,' or just the joy and excitement," she said of watching the audience react in real time.

"& Juliet" itself is no small production to join: the show hit its 1,500th Broadway performance on June 23, just days into Metz's run, having opened in November 2022 and built one of Broadway's most durable post-pandemic hits.

The rest of Metz's year hasn't exactly been quiet either — she also appeared in "Bank of Dave 2: The Loan Ranger" as a journalist and starred in the Lifetime film "Faith in the Flames: The Nichole Jolly Story," playing real-life nurse Nichole Jolly, who helped evacuate 67 patients from a Northern California hospital during the 2018 Camp Fire in Paradise, California. But right now — eight shows a week — it's the Sondheim Theatre marquee that's new, and by every account so far, she's the one having the most fun with it.

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